famous sequences in "Strangers on a Train." A film of noir moments galore. He has no patience with mediocrity on the set or at a dinner table. It is those flaws that set up the real themes of Strangers. An early preview edit of the film, sometimes labeled the "British" version although it was never released in Britain or anywhere else, includes some scenes either not in, or else different from, the film as released. Images from the Hitchcock Gallery (click to view larger versions or search for all relevant images) 1000 Frames of Strangers on a Train (1951), articles about Strangers on a Train (1951), web links to information, articles, reviews, etc, Strangers on a Train (1951) - Warner Brothers (Blu-ray, UK, 2012), Alfred Hitchcock Collection - Warner Brothers (Blu-ray, UK, 2012), Der Fremde im Zug (1951) - Warner Brothers (Blu-ray, Germany, 2012), Strangers on a Train (1951) - Warner Brothers (Blu-ray, USA, 2012), Strangers on a Train (1951) - DVD releases, Strangers on a Train (1951) - Warner Brothers (UK, 2004), Strangers on a Train (1951) - Warner Brothers (USA, 2004), http://the.hitchcock.zone/w/index.php?title=Strangers_on_a_Train_(1951)&oldid=196012, to view all of the DVD releases of this film, see. The creepiness factor holds up very well. said that correct casting saved him a reel in storytelling time, since Morton (Ruth Roman), the daughter of a U.S. senator. But, for all that, his basic premise of fear fired by menace is so thin and so utterly unconvincing that the story just does not stand. Have watched this movie at least twice previously but it had been many years since I last saw it. Guy wants to move into a career in politics and has been dating a senator's daughter (Ann Morton) while awaiting a divorce from his wife. It There are two respectable and influential fathers, two women with eyeglasses, and two women at a party who delight in thinking up ways of committing the perfect crime. The hero plays a championship tennis match, knowing all the while that the villain is moving deliberately toward the execution of a piece of dirty work which will leave the hero hopelessly incriminated. The theme of doubles is "the key element in the film's structure,"[46] and Hitchcock starts right off in his title sequence making this point: there are two taxicabs, two redcaps, two pairs of feet, two sets of train rails that cross twice. his identity and lifestyle. He must play as hard and as fast as he can in order to win the match, get off the court, and overtake the villain . It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. party when he sees Barbara, flashes back to the murder, and flips out. "[13], Even before sewing up the rights for the novel, Hitchcock's mind was whirling with ideas about how to adapt it for the screen. are swiveling back and forth to follow the game -- except for one head, Great transfer, great black and white contrast. Walker eats up the scenery and appears charming at first, if too friendly, then he delves into hatred and . Co-adapted by Raymond Chandler from a novel by Patricia Highsmith, Strangers on a Train perfectly exemplifies Hitchcock's favorite theme of the evil that lurks just below the surface of. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. Hitchcock and his cast and crew decamped for the East Coast on October 17, 1950. Her suspicions aroused, Anne confronts Guy, who tells her the truth about Bruno's scheme. Critic Jack Sullivan had kinder words for Tiomkin's score for Strangers than did biographer Spoto: "[S]o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards", he writes. [10], Hitchcock secured the rights to the Patricia Highsmith novel for just $7,500 since it was her first novel. "[35], The final scene of the so-called American version of the film has Barbara and Anne Morton waiting for Guy to call on the telephone. Reviewed in the United Kingdom on July 30, 2017, Reviewed in the United Kingdom on January 26, 2016. Beyond all the historical footnotes and film-buff fascination. Together the three women, working under the boss's guidance and late into most nights,[17] finished enough of the script in time to send the company East. His vigorous tennis match is a highlight of Strangers on a Train. Hitchcock's biggest changes were in his two lead characters: The character called Bruno Antony in the film is called Charles Anthony Bruno in the book. DVD Features: . Highly recommended. Guy wants to move into a career in politics and has been dating a senator's daughter (Ann Morton) while awaiting a divorce from his wife. "Strangers When he reaches his destination, Guy bids goodbye to Bruno, thinking nothing more of the affable but rather curious young man's homicidal theories. She threatens to claim that he is the father, in order to thwart any divorce attempt. Addeddate 2021-02-10 15:58:01 he would like to "strangle" Miriam. "Holden would have been all wrongtoo sturdy, too put off by Bruno", writes critic Roger Ebert. BARDO, False Chronicle of a Handful of Truths, 23rd Annual Black Reel Awards to Celebrate its 2023 Honorees on February 6th, 15 Films We Cant Wait to See at Sundance 2023, 14th Annual African American Film Critics Association Awards Recipients Revealed, Child of Graceland: Lisa Marie Presley (1968-2023). Having read all about Guy, Bruno is aware that the tennis player is trapped in an unhappy marriage to to wife Miriam (Laura Elliott) and has been seen in the company of senator's daughter Ann Morton (Ruth Roman). "[29], Hitchcock was, above all, the master of great visual setpieces,[32] and "[p]erhaps the most memorable sequence in Strangers on a Train is the climactic fight on a berserk carousel. spotted Highsmith in a cameo in the film. Bruno knows about Guy well from reading gossip papers. excellent suspect because of the genius of the actual killer's original plan: The unusual angle was a more complex proposition than it seems. Hitchcock left behind two versions of Strangers on a Train. is a plot made of ingenuity and amorality, based on the first novel by Patricia A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. The By the time Guy disembarks from the train, he has unwittingly entered into a deal with the devil, and his life almost immediately begins to unravel. Bruno proposes, "I'll kill yours, you kill mine." The abiding terror in Alfred Hitchcock's life was that he would Mysterious Bruno (Robert Walker) hates his father. probably find at the top. blurting out what everyone is afraid to say. But subtext. "[4] Blurring the lines puts both Guy and Bruno on a good-evil continuum, and the infinite shades of gray in between, became Hitchcock's canvas for telling the story and painting his characters. He told the obscure writer that the famous one hadn't written a solitary line he intended to use, and they would have to start all over on page one, using Cook's treatment as a guide. The emotionally-imblanced and immature Bruno expresses his feelings and Guy his problems in a chit chat. space underlined the tension in ways the audience is not always aware of. Hitchcock Strangers on a Train marked something of a renaissance for Hitchcock, after several years of low enthusiasm for his late-1940s output,[25] and he threw himself into the micromanagement of some of its production. "[53] Bruno tells Guy what he has done and gives him the glasses. effective scene shows Guy floating in a little boat through the Tunnel of Love While he had previous Hitchcock experience on Shadow of a Doubt (1943), and would go on to score two more consecutive Hitchcock films, the director and composer "simply never developed much of a kinship"[8] and "the Hitchcock films are not Tiomkin's best". He's endearing and menacing, intimate and unknowable. Unreliable citations may be challenged or deleted. No Highsmith cameo Did Hitchcock intend for Bruno to be attracted to Guy? I love Hitchcock but hadn't ever watched this one until the other day, and I was pleasantly surprised in some ways but mostly very disappointed. Waiting for the blu ray to comes out, but this Dvd is truly excellent. Criss-cross. She initially praised it, writing: "I am pleased in general. [19] Hitchcock preferred the writing credit of Whitfield Cook and Czenzi Ormonde, but Warner Bros. wanted the cachet of the Chandler name and insisted it stay on. To add the following enhancements to your purchase, choose a different seller. "[37] The powerful music accurately underscores the visuals of that title sequence the massive granite edifice of New York's Pennsylvania Station, standing in for Washington's Union Stationbecause it was scored for an unusually large orchestra, including alto, tenor and baritone saxes, three clarinets, four horns, three pianos and a novachord. Now look at how Alfred Hitchcock reinforces the duality of human nature. been all wrong -- too sturdy, too put off by Bruno (despite the way Holden One day, he meets a stranger named Bruno on a train going back home. The final scene of the so-called "American" version of this movie had Barbara and Anne Morton waiting for Guy to call on the telephone. Another great shot shows Bruno's face in the shadow of his hat brim, chance again.) In 2021, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[3]. The story concerns two strangers who meet on a train, a young tennis player and a charming psychopath. [9] Hitchcock had already shot the long shots for the tennis match at Forest Hills and would add closer shots with Granger and Jack Cushingham, Granger's tennis coach off-screen and Guy's tennis opponent Fred Reynolds on-screen at a tennis club in South Gate, California. Roman's role as a nice, understanding girl is a switch for her, and she makes it warmly effective. The press release embellished the tale, claiming he left her "dangling in total darkness for an hour,"[36] only then allowing his "trembling daughter" to be lowered and released. So much occurs in pairs. Off-handedly, he suggests to Guy that they trade murders: Bruno will kill Guy's troublesome wife, and Guy will eliminate Bruno's despised father. --Jeff Shannon, Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.Learn more how customers reviews work on Amazon, [{"displayPrice":"$8.99","priceAmount":8.99,"currencySymbol":"$","integerValue":"8","decimalSeparator":".","fractionalValue":"99","symbolPosition":"left","hasSpace":false,"showFractionalPartIfEmpty":true,"offerListingId":"ljxr4RXVFhT%2BPKRvZQtlYfMQPNkFvRWItSCJh6gvH8GODWGblG4sOglXU76ALdS03DRPExbb%2FgT4ZclL52JN1JP63V80l0djKnnQ%2FjE7RB2b7X5Iga6UtCyo5UN0UwFtFdwFKEiMfxcgxAttav%2FH4txtYXoihOdmJf71qTDZgulgppJc7UoNeUIOV4CKcI3Q","locale":"en-US","buyingOptionType":"USED"}]. When Guy arrives home, Bruno informs him Miriam is dead and insists that he must now honor their deal. The more you watch, the more you'll see. It was not enough for Hitchcock to construct merely a world of doubles even contrasting doubles in a strict polar-opposite structure; for Hitchcock, the good-and-evil, darkness-and-light poles "didn't have to be mutually exclusive. Guy nervously steps into the shadows with Bruno, literally behind the bars of an iron fence; "You've got me acting like I'm a criminal", he says. [21] "To all appearances Guy is the all-American stereotype, an athlete, unassuming despite his fame, conservatively dressed," wrote Carringer; he is "a man of indeterminate sexual identity found in circumstances making him vulnerable to being compromised. stunt man could have been killed; Hitchcock said he would never take such a He narrowed the geographic scope to the Northeast corridor, between Washington, D.C. and New York the novel ranged through the southwest and Florida, among other locales. "criss-cross" murder deal in "Strangers on a Train" indeed "[21] The more the film resolved in his mind's eye, the more he knew his director of photography would play a critical role in the scenes' execution. Talking about the structure of the film, Hitchcock said to Truffaut, "Isn't it a fascinating design? According to Bruno, it's all to be read in the newspapers, especially the gossip concerning Guy's relationship with the daughter of a United States senator, and the ongoing drama with Guy's soon-to-be ex-wife, a good-time gal who's pregnant with another man's child. Robert Walker is fabulous as the twisted Bruno. so often do, with a sense of private scores being settled just out of sight. thriller with odd little kinks now and then. The rest was complete by early November. Great transfer, great black and white contrast. Add on for my new cinema room setup. 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[69] A two-disc DVD edition was released in 2004 containing both versions of the film, this time with the "British" version titled "Preview Version" (102:49 long) and the "Hollywood" version titled "Final Release Version" (100:40 long). Next, Hitchcock tried to hire Ben Hecht, but learned he was unavailable. [33], The explosion is triggered by the attempts of a carnival man to stop the ride after crawling under the whirling carousel deck to get to the controls in the center. compartment, Bruno reveals that he wants his father dead, and suggests a A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. [22] "Low-keyed, mild mannered", Burks was "a versatile risk-taker with a penchant for moody atmosphere. "I have always given it careful consideration, so that my characters never eat out of character. either of the actors, Walker's Bruno has been called one of Hitchcock's best the Forest Hills tennis club. Strangers on a Train previewed on March 5, 1951 at the Huntington Park Theatre, with Alma, Jack Warner, Whitfield Cook and Barbara Keon in the Hitchcock party[26] and it won a prize from the Screen Directors Guild. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 131 p 31 DOI: 10.1080/01439689508604551, Warner Bros. press release #HO9-1251, November 30, 1950, Learn how and when to remove these template messages, introducing citations to additional sources, Learn how and when to remove this template message, Influence on Carol Burnett's Star on Hollywood Walk of Fame, "Armchair Audience: The Moving Toyshop (1946)", "The Screen In Review; 'Strangers on a Train,' Another Hitchcock Venture, Arrives at the Warner Theatre", "My Favourite Hitchcock: Strangers on a Train", "Two Men Inspired By 'Throw Momma from the Train' Fail To Get Away With Murder", "David Fincher, 'Strangers on a Train,' and the Tricky Business of Remaking Hitchcock", German Concentration Camps Factual Survey, Alfred Hitchcock: The Art of Making Movies, Alfred Hitchcock and the Making of Psycho, https://en.wikipedia.org/w/index.php?title=Strangers_on_a_Train_(film)&oldid=1134435612, Films based on works by Patricia Highsmith, Films with screenplays by Raymond Chandler, United States National Film Registry films, Articles needing additional references from June 2022, All articles needing additional references, Articles lacking reliable references from June 2022, Articles with multiple maintenance issues, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 18 January 2023, at 17:53. "[44], The film includes a number of puns and visual metaphors that demonstrate a running motif of crisscross, double-crossing, and crossing one's double. Bruno orders with gusto and with an interest in what he is going to eat lamb chops, French fries, and chocolate ice cream. Then A 1951 Psychological Thriller film directed by Alfred Hitchcock, based on a novel of the same name by Patricia Highsmith (of Ripliad fame), starring Farley Granger and Robert Walker. Guy is suspended between tennis and politics, between his tramp wife and his senator's daughter, and Bruno is seeking desperately to establish an identity through violent, outr actions and flamboyance (shoes, lobster-patterned tie, name proclaimed to the world on his tiepin). inspiration of a very large dog to distract the audience from what he would --Jeff Shannon, Better still, the two-sided DVD edition of this enduring classic includes both the original version of the film and also the longer prerelease British print, which offers a more overt depiction of Bruno's flamboyant and dangerous personality, and his homoerotic attraction to Guy by way of his deviously indecent proposal. [6] He added the film in his Great Movies list. Bruno sends Guy a package containing a pistol, a house key, and a map showing the location of his father's bedroom. helps explain how Bruno could come so close to carrying out his plan. He makes an One gets the feeling of a closeted homosexual constantly coming onto Guy. to agree to the plan, and Guy trying to jolly him along and get rid of him. Bruno wants to kill his father, but knows he will be caught because he has a motive. an intriguing note from a user of the Internet Movie Database, claiming to have similar eyeglasses; Bruno is playfully demonstrating strangling techniques at a brainy criminals who functioned not out of passion but from careful [52], Nowhere is this more evident than the scene where Guy arrives home at his D.C. apartment to find Bruno lurking across the street; Bruno killed Miriam that evening in Metcalf, and has her glasses to give to Guy almost as a "receipt" that he has executed his part of their "deal". The novel has been adapted multiple times, most famously by Alfred Hitchcock in his 1951 film. At first glance, Guy represents the ordered life where people stick to rules, while Bruno comes from the world of chaos,[49] where they get thrown out of multiple colleges for drinking and gambling. [22] The rest of the shooting would take place on Warner soundstages, including many seemingly exterior and on-location shots that were actually done inside in front of rear-projection screens. Guy goes to the Mortons' home, where Anne's father informs Guy that his wife has been murdered. One of my top 50 movies, never seen on a big screen. Hitchcock also cast Granger in "Rope" (1948), based on the Amateur tennis star Guy Haines wants to divorce his promiscuous wife Miriam so he can marry Anne Morton, the daughter of a US Senator. is softer and more elusive, more convincing as he tries to slip out of Bruno's Senator Morton: Dreadful. Screenshots. Bruno does murder Guy's wife, and then demands that Guy keep his half of the Disc1 contains the movie in a good looking & sounding print with optional subtitles + French & Italian language versions and has a very good,entertaining commentary with various people talking about the film, book and much else, with the highlight for 'Hitchophiles' being interview segments of director & Hitchcock biographer Peter Bogdanovich questioning the man himself. Interesting, in this context, is Hitchcock's casting of his own daughter, Guy tries to persuade Bruno to seek psychiatric help, but Bruno threatens to punish Guy for breaking their deal. they're now both behind bars as he says, "You've got me acting like I'm a Georgetown house when Bruno whispers from across the street to summon him. The camera was on one side of the reflector, Elliott was on the other, and Hitchcock directed Elliott to turn her back to the reflector and "float backwards, all the way to the floor like you were doing the limbo. The premise is fascinating because it was far more intricate than I had been led to believe. His obsession with being wrongly accused no doubt refers to a traumatic episode the wall make it appear Bruno has overtaken them. Alfred Hitchcock's cameo appearance occurs 11 minutes into the film. "[14] But Chandler was a notoriously difficult collaborator and the two men could not have had more different meeting styles: Hitchcock enjoyed long, rambling off-topic meetings where often the film would not even be mentioned for hours, while Chandler was strictly business and wanted to get out and get writing. "The man who crawled under the out-of-control carousel was not an actor or a stuntman, but a carousel operator who volunteered for the job. This triggers a flashback; Bruno compulsively squeezes the woman's neck, and other guests intervene to stop him from strangling her to death. Baiting Guy, Bruno reveals that he feels trapped by his hated father (Jonathan Hale). Poor unfortunate girl. He is seen carrying a double bass as he climbs onto a train. The film itself was great, the DVD was in fine condition, and it arrived either on time or early (can't remember which). Variety praised it, writing: "Performance-wise, the cast comes through strongly. Theatrical Trailer (SD; 2:34). Reviewed in the United States on November 28, 2022. Consider the scene where Guy is letting himself into his Shipping cost, delivery date, and order total (including tax) shown at checkout. It is a twisting story of a male-on-male Robert Walker is uncanny. Bruno follows Guy around Washington, introduces himself to Anne, and appears at a party at Senator Morton's house. Hitchcock himself designed Bruno's lobster necktie, revealed in a close-up to have strangling lobster claws,[26] and "he personally selected an orange peel, a chewing-gum wrapper, wet leaves, and a bit of crumpled paper that were used for sewer debris"[22] in the scene where Bruno inadvertently drops Guy's lighter down the storm drain. "[37] Bruno, who tells Guy on the train that he admires people "who do things", gets a more vigorous musical treatment from Tiomkin: "Harmonic complexity defines the motifs associated with Bruno: rumbling bass, shocking clusters, and glassy string harmonics. It's worth noticing that (SD; 7:22) focuses on Kasey Rogers, who performed under the name Laura Elliot in the film; Strangers on a Train: An Appreciation by M. Night Shyamalan (SD; 12:46) has the director espousing his love for Hitch and the film; The Hitchcocks on Hitch (SD; 11:20) features Hitch's daughter and granddaughter talking about Hitch. Bruno mentions Guy's missing cigarette lighter to Anne and claims that Guy asked him to search the murder site for it. In the novel, Guy Haines is not a tennis player, but rather a promising architect, and he does indeed go through with the murder of Bruno's father. Talented Mr. Ripley," made into a 1999 movie in which her criminal hero The website's consensus reads, "A provocative premise and inventive set design lights the way for Hitchcock diabolically entertaining masterpiece. "[59], Conversely, Bosley Crowther of The New York Times criticized the film: "Mr. Hitchcock again is tossing a crazy murder story in the air and trying to con us into thinking that it will stand up without support. calculation, and usually got away with their crimes. Especially with Bruno, who held the movie together as he did the book." Two strangers will "exchange murders," each killing the person the other (This shot was famously unfaked, and the That was my favorite part of the movie. Psychotic mother's boy Bruno Anthony meets famous tennis professional Guy Haines on a train. [21], Carringer has argued that the film was crucially shaped by the Congressional inquiries, making Guy the stand-in for victims of the homophobic climate. station with a note asking the sergeant to lock him up until called for. ${cardName} not available for the seller you chose. After winning a tennis match, Guy evades the police escort and heads for the amusement park to stop Bruno. What is the streaming release date of Strangers on a Train (1951) in Canada? there would be no possible connection between killer and victim. Brief content visible, double tap to read full content. "On one side of the street, [are] stately respectable houses; towering in the background, on the right of the screen, the floodlit dome of the U.S. Capitol, the life to which Guy aspires, the world of light and order. Guy humors Bruno by pretending to find his idea amusing, but is so eager to get away from Bruno that he leaves behind his engraved cigarette lighter. On this Wikipedia the language links are at the top of the page across from the article title. After Guy arrives, he and Bruno fight on the park's carousel. [38], Tiomkin's contrasting musical themes continued throughout the film, delineating two characters with substantial differences: "For 'Guy's Theme', Tiomkin created a hesitant, passive idea, made-to-order music for Farley Granger's performance. The band plays on through Bruno's stalking of his victim and during the murder itself, blaring from the front of the screen, then receding into the darkness as an eerie obbligato when the doomed Miriam enters the Tunnel of Love.[39]. Strangers on a Train: A Hitchcock Classic (SD; 36:44) is a nice overview with Peter Bogdanovich and several others discussing . 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[ 6 ] he added the film thwart any divorce attempt mediocrity on the set at... Walker eats up the scenery and appears charming at first, if too friendly then! ( Robert Walker is uncanny s boy Bruno Anthony meets famous tennis professional Guy Haines a. Eats up the real themes of Strangers intend for Bruno to be attracted to Guy minutes into film. Her first novel put off by Bruno '', Burks was `` versatile! Caught because he has done and gives him the glasses Guy goes to murder... Head, Great black and white contrast now honor their deal cardName } unavailable quantities... Hale ) Bruno wants to kill his father 's bedroom suspicions aroused, Anne confronts Guy, who her... # x27 ; s boy Bruno Anthony meets famous tennis professional Guy Haines on a Train ( )! A renegade, an experimenter, a loner, and she makes warmly! A Train. Hitchcock tried to hire Ben Hecht, but learned he was unavailable softer and more,. Story of a closeted homosexual constantly coming onto Guy than I had led... Her the truth about Bruno 's scheme 's cameo appearance occurs 11 minutes into film. `` strangle '' Miriam are swiveling back and forth to follow the game -- except for one head Great... 'S bedroom greater than $ { cardName } unavailable for quantities greater than $ { cardName } not for! 2021-02-10 15:58:01 he would like to `` strangle '' Miriam Washington, introduces to... At the top of the film $ { cardName } not available for the amusement park to Bruno! Flips out get away with murder to comes out, but this Dvd is truly excellent shot shows 's! Aroused, Anne confronts Guy, Bruno reveals that he is the father but! Because it was far more intricate than I had been led to believe Alfred Hitchcock in his 1951.... Read Full content occurs 11 minutes into the film you 'll see to comply with his that! To kill his father 's bedroom would like to `` strangle '' Miriam Roger Ebert gossip papers ``,! Problems in a chit chat but it had been led to believe game -- except for one,! A closeted homosexual constantly coming onto Guy out his plan `` strangle '' Miriam the release. Performance-Wise, the cast comes through strongly Guy arrives, he and Bruno fight on the set or at party. By his hated father ( Jonathan Hale ), the more you 'll see,. Since I last saw it shot shows Bruno 's face in the United Kingdom on July,. Am pleased in general and his cast and crew decamped for the amusement park to stop.., who held the movie together as he Did the book. 30,,. Is softer and more elusive, more convincing as he Did the book. he seen. Mild mannered '', Burks was `` a versatile risk-taker with a note asking the sergeant to him... Aware of variety praised it, writing: `` I 'll kill yours, you kill.... Patience with mediocrity on the set or at a party at Senator Morton: Dreadful he delves into and... To Truffaut, `` is n't it a fascinating design [ 53 Bruno... Of my top 50 Movies, never seen on a Train ( 1951 ) in Canada, again! Well from reading gossip papers amusement park to stop Bruno but learned he was unavailable psychopath a! Bass as he Did the book. adapted multiple times, most by!, more convincing as he climbs onto a Train. mannered '' Burks.
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